|
Introdução à estética musical
|
Mário de Andrade |
"Compilation of Andrade's writings on musical esthetics. Part of a series of publications edited by Flávia Camargo Toni aimed at making Andrade's collection available for study (for other works edit… |
OL1004233W |
|
La musique, discipline scientifique
|
Pierre Barbaud |
S'adapter au monde moderne, conserver des possibilités suffisantes d'interventions, comprendre l'évolution des sciences et de leurs innombrables applications, être à jour, c'est-à-dire rester jeune ,… |
OL1383231W |
|
A Compendium of Essays
|
E.A. Bucchianeri |
As the title displays, this publication features several essays spanning the gamut of musical styles and eras, from the Baroque, Classical, Romantic and Impressionist periods to the modern musicals o… |
OL15749200W |
|
The music instinct
|
Philip Ball |
The Music Instinct Philip Ball provides the first comprehensive, accessible survey of what is known--and what is still unknown--about how music works its magic, and why, as much as eating and sleepin… |
OL16995607W |
|
How Music Works
|
David Byrne |
The Rock-and-Roll Hall of Fame inductee and co-founder of Talking Heads presents a celebration of music that offers insight into the roles of time, place, and recording technology, discussing how evo… |
OL17068219W |
|
The Aesthetic of Johann Sebastian Bach
|
André Pirro |
Offered here for the first time in English, The Aesthetic of Johann Sebastian Bach (L'Esthétique de Jean-Sébastien Bach), by the celebrated scholar and organist André Pirro, was originally published … |
OL17894929W |
|
Interpreting music
|
Lawrence Kramer |
This is a comprehensive essay on musical meaning and performing music meaningfully - 'interpreting music' in both senses of the term. The author argues that music, far from being closed to interpreta… |
OL19858735W |
|
Virgil Thomson
|
Virgil Thomson |
When, in October 1940, the New York herald tribune named the composer Virgil Thomson its chief music critic, the management of the paper braced itself for an uproar. Music chronicles 1940-1954 presen… |
OL19994349W |
|
How music dies (or lives)
|
Ian Brennan |
All recordings document life, arising from a specific time and place, and if that place is artificial, the results will be as well. Culled from a lifetime of learning through failure and designed to … |
OL20028098W |
|
Parallels and Paradoxes
|
Edward W. Said |
These free-wheeling, often exhilarating dialogues--which grew out of the acclaimed Carnegie Hall Talks--are an exchange between two of the most prominent figures in contemporary culture: Daniel Baren… |
OL27387W |
|
Der Kampf des Hundes mit dem Jaguar
|
Regine Allgayer-Kaufmann |
The book is on the music of the *Bandas de Pífanos* in the Northeast of Brazil, a region of excellent conservation of an oral music culture. It is based on field work carried out in 1988, 1989, and 1… |
OL2843279W |
|
Expression, truth and authenticity
|
Mario Vieira de Carvalho |
Theodor W. Adorno (1903-1969) is one of the most representative German philosophers of the 20th century and of the so-called Frankfurt School. Amongst the main topics of his critical thinking is aest… |
OL28591719W |
|
John Cage
|
Richard Kostelanetz |
xvi, 239 p. : 22 cm |
OL2906772W |
|
The Shivering Ground & Other Stories
|
Sara Barkat |
The Shivering Ground & Other Stories is a National Indie Excellence Awards finalist, a collection of weird fiction with a steampunk aesthetic.
In "The Door at the End of the Path" a young girl dis… |
OL34960984W |
|
The Exotic in Music
|
Ralph P. Locke |
A Japanese geisha. a Middle Eastern caravan, a Hungarian-"Gypsy" fiddler, Carmen flinging a rose at Don Jose, Josephine Baker singing "Petite Tonkinoise" - portrayals of people and places that are co… |
OL3721240W |
|
Music through the eyes of faith
|
Harold M. Best |
In writing Music Through the Eyes of Faith, I have tried to keep two purposes before me at all times: to celebrate the uniqueness of music making as part of the larger world of human creativity, and … |
OL4321608W |
|
In search of opera
|
Carolyn Abbate |
"In her new book, Carolyn Abbate considers the nature of operatic performance and the acoustic images of performance present in operas from Monteverdi to Ravel. Paying tribute to music's realization … |
OL4447586W |
|
Musical time
|
Barbara R. Barry |
xv, 391 : 24 cm |
OL4810141W |
|
A philosophy of church music
|
Robert D. Berglund |
Robert Berglund says a worship service is not a concert time. It is not an hour of entertainment. It is a time to worship God in spirit and in truth. In the Christian realm, however, the worship serv… |
OL5097554W |
|
Temperament
|
Stuart Isacoff |
"A book that explains how a vexing technical puzzle was solved, making possible some of the most exquisite music ever written."--BOOK JACKET. |
OL8035601W |