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Shahid Reads His Own Palm
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Reginald Dwayne Betts |
“Betts doesn’t just have a powerful story to tell. He is a true poet who can write a ghazal that sings, howls, rhymes, and resonates in memory years after it was first read.”
—Jericho Brown, <em>On … |
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How to Catch a Falling Knife
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Daniel Johnson |
“To enter the world of Daniel Johnson’s <em>How to Catch a Falling Knife</em> is to enter a playful, celebratory, real, and dangerous place…[Johnson’s] clean, pared down diction recreates real life t… |
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Hagar Before the Occupation, Hagar After the Occupation
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Alicia Ostriker,Amal Jubūrī |
“In spare, vivid, and poundingly heartfelt language, [al-Jubouri] shows us her country before the occupation by U.S. troops and afterward . . . these poems have a timeless, haunting quality, and they… |
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This Strange Land
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Shara McCallum |
“[In <em>This Strange Land</em>] McCallum crafts a world filled with marvelous ideas about the everyday reality of urban Jamaica, a world of contrasts in which romance and protest make strange bedfel… |
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Sudden Dog
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Matthew Pennock |
“[Pennock’s] images are fierce, exact, and unsentimental, unburdened by ornament or exaggeration and often fashioned with dark humor. . . [His] poetry demonstrates that the pursuit of meaning in a cr… |
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Phantom Noise
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Brian Turner |
“In <em>Phantom Noise</em>, the speaker recognizes the degree to which language is a co-creative of reality…and as such, these poems begin to interrogate the speaker’s entanglement in acts that he ha… |
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me and Nina
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Monica A. Hand |
**2014 da Vinci Eye Finalist**
**ForeWord Reviews‘ 2012 Book of the Year Award Finalist**
**2013 Hurston/Wright Legacy Award Finalist**
“The message in the so-sick-it muse ic is all on the cover… |
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Black Crow Dress
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Roxane Beth Johnson |
**33rd Annual Northern California Book Award Nominee**
“*Black Crow Dress* is narrative, yet it subverts narrative in its deliberate cultivation of the fragment; its rhythms are those of the blues… |
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We Come Elemental
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Tamiko Beyer |
**2014 Green Book Festival – Poetry Runner-Up**
**26th Annual Lambda Literary Award Finalist**
“The poems in Tamiko Beyer’s *We Come Elemental*. . . float together, each buoyant image sinking a… |
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Rough Cradle
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Betsy Sholl |
“Betsy Scholl’s poems are visual and fast moving, the whole book shot through vivid imagery…I was so dazzled by the gorgeousness of the writing…”
―<em>Stride Magazine</em>
“As she upends perspect… |
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Gloryland
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Anne Marie Macari |
“Anne Marie Macari’s powerful poems make poetic speech seem an utterly natural act. She is the latest ambassador of a great lineage of strong poets whose subject is blood-knowledge. Sexual without ne… |
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A Thief of Strings
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Donald Revell |
“No poet so innovative now is more accessible, and no poet half so accessible in recent years has made the language so new.”
—<em>Publishers Weekly</em>, starred review
“Revell is a post-Romantic… |
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The Glass Age
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Cole Swensen |
“Inspired by postimpressionist painter Pierre Bonnard . . . Swensen crafts poems that incorporate language play and collage.”
—<em>Library Journal</em>
“Swensen’s recent thematic book-length sequ… |
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Rough Cradle
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Betsy Sholl |
“Betsy Scholl’s poems are visual and fast moving, the whole book shot through vivid imagery…I was so dazzled by the gorgeousness of the writing…”
―<em>Stride Magazine</em>
“As she upends perspect… |
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Makars' dozens
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Paul Trachtenberg,Robert Peters,Robert Peters,Barbara Hauk |
**MAKARS' DOZENS** stands for a baker's dozen meaning sandwiched between the covers of this book you get the verses of three distinctive voices: poet Robert Peters(the best known among three), Paul … |
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The Devotion Field
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Claudia Keelan |
“Charged with negative capability, Keelan’s avant-garde collection plays in multiple dimensions….Like a linguistic ethicist—like a mad, social-science hybrid with a knack for transcending—Keelan wond… |
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Self and Simulacra
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Liz Waldner |
**2002 PEN Center USA West Literary Award in Poetry Finalist**
**2001 Beatrice Hawley Award**
“. . .a highly intelligent and literate poetry….While the I exists because it desires (I want therefo… |
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Matadora
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Sarah Verdes Gambito |
“Every once in a while a poetry book bursts onto the scene—heavy with luggage tagged from all manner of airports—just begging to be unpacked… *Matadora* introduces us to a fearless new talent, whose … |
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Landscapes I & II
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Lesle Lewis |
“This is a bar-raising kind of collection. In future reviews and poetry readings I may sign-off or leave the room immediately with a ‘Feh! Not as good as Lewis.'”
—<em>Stride Magazine</em>
“Lewis… |
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Pity the Bathtub Its Forced Embrace of the Human Form
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Matthea Harvey |
“. . .Mournfully comic and syntactically inventive, Harvey’s poems are both pleas for attentiveness. . .and elegies for the images we try, but fail, to capture.”
—<em>The New Yorker</em>
“Many po… |
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