Colored pictures

By Michael D. Harris

Subjects: Noirs americains dans l'art, Ethnische Identita˜t, African Americans, Identité ethnique, Art noir américain, Art noir americain, Kunst, Criticism and interpretation, Noirs américains dans l'art, Ethnische Identität, African American art, Race identity, African Americans in art, African american art, Identite ethnique, African americans, race identity, Rassendiscriminatie, Noirs americains, Noirs américains, Visualisatie, African americans in art

Description: "In this book, artist and art historian Michael Harris investigates the role of visual representation in the construction of black identities, both real and imagined, in the United States. He focuses particularly on how African American artists have responded to - and even used - stereotypical images in their own works.". "Colored Pictures traces black artists' responses to racist imagery across two centuries, from early works by Henry O. Tanner and Archibald J. Motley Jr., in which African Americans are depicted with dignity, to contemporary works by Kara Walker and Michael Ray Charles, in which derogatory images are recycled to controversial effect. The work of these and other artists - such as John Biggers, Jeff Donaldson, Betye Saar, Juan Logan, and Camille Billops - reflects a wide range of perspectives. Examined together, they offer compelling insight into the profound psychological impact of visual stereotypes on the African American community."--BOOK JACKET.