Luftkrieg und Literatur

By W. G. Sebald

Subjects: Flygbombning, War and literature, Bombing, aerial--germany, Aerial Bombing, History, Destruction and pillage, Historia, 833/.91409358, Littérature allemande, World war, 1939-1945, destruction and pillage, World war, 1939-1945, literature and the war, World War, 1939-1945, Literature and the war, Criticism and interpretation, German literature, British Aerial operations, Andra världskriget 1939-1945, Nonfiction, World war, 1939-1945--literature and the war, World war, 1939-1945--destruction and pillage, History and criticism, World war, 1939-1945--destruction and pillage--germany, World War (1939-1945) fast (OCoLC)fst01180924, Pt405 .s4313 2003, Bombing, aerial, German literature--history and criticism, Guerre aérienne, Tysk litteratur, New York Times reviewed, German literature, history and criticism, 20th century, German literature--20th century--history and criticism

Description: W.G. Sebald completed this extraordinary and important -- and already controversial -- book before his untimely death in December 2001. On the Natural History of Destruction is W.G. Sebald's harrowing and precise investigation of one of the least examined "silences" of our time. In it, the acclaimed novelist examines the devastation of German cities by Allied bombardment, and the reasons for the astonishing absence of this unprecedented trauma from German history and culture. This void in history is in part a repression of things -- such as the death by fire of the city of Hamburg at the hands of the RAF -- too terrible to bear. But rather than record the crises about them, writers sought to retrospectively justify their actions under the Nazis. For Sebald, this is an example of deliberate cultural amnesia; his analysis of its effects in and outside Germany has already provoked angry and painful debate. Sebald's incomparable novels are rooted in meticulous observation; his essays are novelistic. They include his childhood recollections of the war that spurred his horror at the collective amnesia around him. There are moments of black humour and, throughout, the unmatched sensitivity of Sebald's intelligence. This book is a vital study of suffering and forgetting, of the morality hidden in artistic decisions, and of both compromised and genuine heroics.From the Hardcover edition.